Line 1
Rock and jazz smell is really demonstrated in this line. It begins with an almost "Hendrix" lick through the first bar then suddenly the line jumps "outside" the key into a sequence made up of B. Ab, then F Pentatonic Scales.
D7#9
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Line 2
This dominant type line use the variety of 5th and 6th intervals and triad shapes. For different taste, just try to add hammer on and pull-ofs. Experiment playing this line over C7, Gm7 and BbMaj7b5. After you have learn it, try this; lower all the E notes to Eb. Now we have new dominant type line that will work over F7, Cm7, etc
C7, Gm7
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Line3
The Harmonies (chord) used in many fusion tunes are often Poly, Bitonal and Triad over Bass note Chords. It's nice to have a vocabulary of single note ideas that reflect these sounds. This line use the note of G, A, B and D major Triads along with some 4th interval shapes to create a bitonal effect. It sounds good over A7, G/A, B/A, Em7 etc.
A7
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