“The guitar is a small orchestra. It is polyphonic. Every string is a different color, a different voice.”
- Andre Segovia

Minggu, 17 April 2011

Building to Scale

The notes of a chord can also be determined by assigning a numeric formula, indicating the tones from the major scal. For example, based on the C Major Scale, 1-b3-5 would mean play the root (C), a flatted third (Eb), and the fifth (G) - a minor chord.

The Chart below is a construction summary of teh chord types (based on the key of C only):

C major Scale = C-D-E-F-G-A-B-C (1-2-3-4-5-6-7-1)

Chord Type Formula Note Names Chord Names
major 1-3-5 C-E-G C
minor 1-b3-5 C-Eb-G Cm
augmented 1-3-#5 C-E-#G C+
suspended fourth 1-4-5 C-F-G Csus4
added ninth 1-3-5-9 C-E-G-D Cadd9
minor added ninth 1-b3-5-9 C-Eb-G-D Cm(add9)
fifth 1-5 C-G C5
sixth 1-3-5-6 C-E-G-A C6
minor sixth 1-b3-5-6 C-Eb-G-A Cm6
sixth, added ninth 1-3-5-6-9 C-E-G-A-D C6/9
minor sixth, added ninth 1-b3-5-6-9 C-Eb-G-A-D Cm6/9
seventh 1-3-5-b7 C-E-G-Bb C7
diminished seventh 1-b3-b5-bb7 C-Eb-Gb-Bbb Co7
seventh, suspended fourth 1-4-5-b7 C-F-G-Bb C7sus4
major seventh 1-3-5-7 C-E-G-B CMaj7
minor seventh 1-b3-5-b7 C-Eb-G-Bb Cm7
minor, major seventh 1-b3-5-7 C-Eb-G-B Cm(Maj7)
major seventh, flat fifth 1-3-b5-7 C-E-Gb-B CMaj7(b5)
minor seventh, flat fifth 1-b3-b5-b7 C-Eb-Gb-Bb Cm7(b5)
augmented seventh 1-b3-#5-b7 C-Eb-G#-Bb C+7
seventh, flat fifth 1-3-b5-b7 C-E-Gb-Bb C7(b5)
seventh, flat ninth 1-3-5-b7-b9 C-E-G-Bb-Db C7(b9)
seventh, sharp ninth 1-3-5-b7-#9 C-E-G-Bb-D# C7(#9)
augmented seventh, flat ninth 1-3-#5-b7-b9 C-E-G#-Bb-Db C+7(b9)
ninth 1-3-5-b7-9 C-E-G-Bb-D C9
major ninth 1-3-5-7-9 C-E-G-B-D CMaj9
minor ninth 1-b3-5-b7-9 C-Eb-G-Bb-D Cm9
eleventh 1-3-5-b7-9-11 C-E-G-Bb-D-F C11
minor eleventh 1-b3-5-b7-9-11 C-Eb-G-Bb-D-F Cn11
thirteenth 1-3-5-b7-9-11-13 C-E-G-Bb-D-F-A C13



Notes : Since guitar has only six strings, certain notes must sometimes be left out. And sometimes certain other notes are "doubled" (played twice). In feneral, the fifth and the root are the first two pitches omitted when necessary.




Jumat, 08 April 2011

Jazzy guitar lick using chromatic and II7



GuitarPro Version>>



Finger streching using Bass before practice



This is my daily warm up before I grab my guitar. Few months ago, i found a 70% discount Washburn 4 strings bass. Nice black bantam series. And the rest is history.... at least for me.

Sorry, I make the tab on Guitar Pro...since I'm not a bassist :D

So.... Enjoy the lesson.

..
Warm up I - One note perstring | GuitarPro Version>>



Warm up 2 - Two Note Perstring | GuitarPro Version>>




Warm Up 3 - 3 Notes perstring | GuitarPro Version>>


Warm Up 4 - G Ionian sequence | GuitarPro Version>>


A Dorian Sequence | GuitarPro Version>>



Warm Up 5 - C Major harmony Arpeggio | GuitarPro Version>>


Kamis, 07 April 2011

Don Mock Style

I stole this lick from Don mock, one of the best guitar teacher in the world i think.... Very interesting & catchy guitar lick. Its ii V I progression, but in my opinion, this lick also work great on the I only....

So, this is the lick


Guitar Pro Version>>